Read Winter (Seasonal #2) by Ali Smith Online

Winter (Seasonal #2)

The dazzling second novel in Ali Smith's essential Seasonal Quartet from the Baileys Prize-winning, Man Booker-shortlisted author of Autumn and How to be both.Winter? Bleak. Frosty wind, earth as iron, water as stone, so the old song goes. The shortest days, the longest nights. The trees are bare and shivering. The summer's leaves? Dead litter. The world shrinks; the sap sinks. But winter makes things visible. And if there's ice, there'll be fire. In Ali Smith's Winter, lifeforce matches up to the toughest of the seasons. In this second novel in her acclaimed Seasonal cycle, the follow-up to her sensational Autumn, Smith's shape-shifting quartet of novels casts a merry eye over a bleak post-truth era with a story rooted in history, memory and warmth, its taproot deep in the evergreens: art, love, laughter. It's the season that teaches us survival. Here comes Winter....

Title : Winter (Seasonal #2)
Author :
Rating :
ISBN : 9780241207024
Format Type : Hardcover
Number of Pages : 322 pages
Url Type : Home » Winter » Winter (Seasonal #2)

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Winter (Seasonal #2) Reviews

  • Bianca

    I noticed this one on Audible, so I purchased it, despite having wished for it on NetGalley (but who knows if and when I'll hear back from the publishers).

    Anyway...

    Winter is the second offering in the SeasonS quartet. As it was the case with Autumn, it's quite interesting, very contemporary and a bit confusing at times.

    (I'm not 100% sure I understood the symbolism, especially when it came to a child's detached head seen by sixty-something-year-old, Sophia. Was it mental illness, loneliness, de
    ...more

  • BrokenTune

    God was dead: to begin with.

    And romance was dead. Chivalry was dead. Poetry, the novel, painting, they were all dead, and art was dead. Theatre and cinema were both dead. Literature was dead. The book was dead. Modernism, postmodernism, realism and surrealism were all dead. Jazz was dead, pop music, disco, rap, classical music, dead. Culture was dead. Decency, society, family values were dead. The past was dead. History was dead. The welfare state was dead. Politics was dead. Democracy was dead.
    ...more

  • Meike

    “You’re like the dictionary doctor, she said.

    The what? he says.

    Kicking the big stone with his foot, she says, to prove that reality is reality and that reality physically exists. I refute it thus.

    Who? Art says.

    The literature doctor, she says. The man who wrote the dictionary. Johnson. Not Boris. The opposite of Boris. A man interested in the meanings of words, not one whose interests leave words meaningless.”


    In Autumn, the first part of her seasonal quartet, Smith uses the themes of memory and
    ...more

  • Krista

    That’s what winter is: an exercise in remembering how to still yourself then how to come pliantly back to life again. An exercise in adapting yourself to whatever frozen or molten state it brings you.


    Ah, this is exactly what I warned about in my gushing review of Autumn, a book that spoke to me deeply and particularly: Winter is quite a good book, Ali Smith explores many of the same issues in the same ways as she did in her earlier volume in the Seasonal Series, but without a direct connectio ...more

  • Barbara

    I love Ali Smith, or perhaps the idea of Ali Smith, and the concept of her seasonal quartet which began with Autumn. I was helped by other reviewers to understand the references to Elvis and a pair of obscure Swedish singers. Other reviews have commented on the word play and the surreal or what some might call “magical realism” in the novel. A reader can enjoy reading (though that doesn’t seem the right word when describing reading this particular novel) Winter for these elements. Others may hav ...more

  • Paul Fulcher

    OK I surrender. Upgraded to 5 stars as Ali Smith has made complete fools of us all, myself included.

    Everyone spent so long looking for micro-links between the two novels, no-one (at least not in any review on GR as at 9 November 2017) had spotted (other than as the merest teasing hint) the glaring and very explicit link between the two books - the Daniel-Sophie tryst in Paris that is in the first pages of Autumn and the last pages of Winter, complete with dates and details.

    The more mundane truth

    The thing about Christmas music that’s particularly interesting, she thought to herself in a knowledgeable but not offputting Radio 4 voice as if in a programme on Christmas music, is that’s it’s thoroughly ineffectual, it just won’t and doesn’t work at any other time of the year.
    So perhaps this just wasn’t the right time for me to read this. One for me to revisit when it figures in the 2018 awards or perhaps in Spring 2019 when the third book comes out. But it felt like a re-working of Autumn from an author whose biggest strength has been her originality, with The Accidental thrown in as well. And this Irish Times review summed up the political side of the novel well (https://www.irishtimes.com/culture/bo...)

    In lieu of a proper review (read those by Gumble's Yard, Neil, Eric or Robert for a more favourable take):

    My Ali Smith seasonal quartet bingo card



    The Edouard Boubat image which Daniel gave to Sophie and each character recalls in the opening chapter of Autumn and Winter respectively:



    The Barbara Hepworth (the cornerstone artist from Winter) statue from my old College, a piece of art the students were allowed if not encouraged to climb on and through, with the room in which I spent 1987-8 on the right hand side. But here's the thing - many students (myself included) attributed the work to Henry Moore (whose sculpture also featured there), rather making one of Ali Smith's points about overlooked female artists:



    Ali Smith, who in person if not always on the page, is perhaps my favourite author, presenting my daughter with a copy of Autumn in Wimbledon (a place that forms perhaps the key link between the two books):

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  • Phrynne

    This is a very well written book. It is thought provoking, intelligent and intriguing as would be expected of a book shortlisted for the Man Booker Prize. Sadly though much of it went over my head and as a result I was unable to appreciate it as much as many other people do.

    Many of the characters like Lux and Sophia were interesting but they were not fully formed. The author floated a fact here and a bit of history there and I was never satisfied with the amount of information I got. Plus things
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  • Simon

    I’ve so many thoughts I can’t quite sum up the brilliance of Ali Smith’s Winter other than by saying it’s blown me away. It’s like a great conversation that makes you think all the thoughts. I’ve loved it. I’ll review properly when my brain stops fizzing from the immediacy of reading it. ...more