Cora is a slave on a cotton plantation in Georgia. Life is hellish for all the slaves but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood - where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned and, though they manage to find a station and head north, they are being hunted.In Whitehead's ingenious conception, the Underground Railroad is no mere metaphor - engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven - but the city's placid surface masks an insidious scheme designed for its black denizens. Even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.As Whitehead brilliantly re-creates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman's ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share....
|Title||:||The Underground Railroad|
|Number of Pages||:||306 pages|
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The Underground Railroad Reviews
"I wake up every morning in a house that was built by slaves," stated First Lady Michelle Obama at this year's Democratic National Convention. Her words seemed to come as a surprise to many, those who had either forgotten or had never known that black hands enslaved by white masters built the iconic edifice of our democracy.
As we come to the end of an extraordinary eight years of the nation's first President of color while witnessing the continued systemic racism that pervades every corner of ou ...more
This is my first read by Colson Whitehead and it makes me think his style may not be to my tastes.
It's personal preference, I'm sure. There are some beautiful sentences, some genius structural choices, and many great ideas. Indeed, the re-imagining of history where the Underground Railroad is an actual railroad is a great idea in itself. I just found it lacking in anything resembling emotion. It's a cold, distant, impersonal novel and it didn't pull me in.
All of the secondary characters are unde ...more
I rarely get to read books when they are in their acute hype phase, but I decided to put an Audible credit towards critical darling Colson Whitehead's latest novel. A couple drives back and forth across the province and I'm all done with The Underground Railroad and ready to render my verdict.
The premise is pretty enticing: a reimagining of the Underground Railroad as an actual railroad underground. It's exactly the sort of spin on the slavery narrative that critics will gobble up whi ...more
3.5 Stars. Cora is a slave on the Randall plantation, the place where she was born and where her grandmother and mother were also slaves. Caesar, a new arrival on the property, offers her an opportunity to accompany him on the Underground Railroad, but she is hesitant. When leadership on the plantation changes hands and Cora's circumstances get even worse, she decides to take a chance and flee with Caesar. Not one to let his property get away, Terrance Randall sends a determined slave catcher a ...more
Nobody could wait for Colson Whitehead’s new book — including Oprah, so here it is, a month early. In a surprise announcement Tuesday morning, Winfrey chose “The Underground Railroad” as the next title for Oprah’s Book Club. Originally set to release on Sept. 13, the novel is available now, the result of an extraordinary plan to start shipping 200,000 copies out to booksellers in secret.
Far and away the most anticipated literary novel of the year, “The Underground Railroad” marks a new triumph f ...more
What a world, Cora thought, that makes a living prison into your only haven. Was she out of bondage or in its web: how to describe the status of a runaway? Freedom was a thing that shifted as you looked at it, the way a forest is dense with trees up close, but from outside, from the empty meadow, you see its true limits. Being free had nothing to do with chains or how much space you had. On the plantation she was not free, but she moved unrestricted on its acres, tasting the air and tracing th...more
The Underground Railroad is important, unflinching, provocative, fairly inventive, and incredibly relevant and timely as Colson Whitehead shows how plenty of slavery's shackles still grip insidiously the collective consciousness and actions of the American nation. The terrifying dehumanization and brutality of being sold into and living in bondage for blacks is presented and contrasted against the pursuit of freedom, often equally terrifying, dehumanizing, and brutal, and on protagonist Cora's j ...more
It must be hard for a writer to create an uneducated character. It’s not really something you can research. Toni Morrison has set the benchmark, an almost impossibly high benchmark. Of late Marilyn Robinson did a good job with Lila. Whitehead evades this challenge principally by giving his central character Cora little if any inner life. Therefore this is a novel principally of surface realities. It’s a narrative of the eye more than the heart. What this means is I never felt I got to know Cora. ...more